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Is Now Available on Steam! Fight overwhelming odds to escape a secret TranStar moon base where the enemies you encounter, the hazards you face, the goals you complete, and the loot you collect are different each time you play. With changing environments as dangerous as they are dynamic, the Mooncrash campaign for Prey will offer a fun, infinitely replayable challenge to test even the most skilled players. TranStar VR is a single player VR-only campaign included in the Typhon Hunter update.
This campaign puts you in the shoes of various TranStar employees as you complete objectives and solve intricate puzzles on Talos I, just days before the events of Prey.
Neuigkeiten Von Inspiration Zur Reality Steve
350 510 In Smoke and Mirrors there is not only young dancers but also young choreographers taking the spotlight. Siblings Imre van Opstal and Marne van Opstal created the first and the longest work of the evening titled The Grey. The explanation of this piece is deep, complex and detailed, and so is their dance language.
According to the programme notes the work explores ways to rethink or re-live a passage in life and the consequences of choices and actions we take. What struck me most was the expressed desire to be heard. There is a microphone hanging from the ceiling mid stage, and while one dancer tries to reach it the others try to stop her in slow motion. When she reaches it the microphone is lifted up higher and she desperately tries to climb higher on the moving mountain of dancers, her quiet whispers turning into loud screams. The way the group of dancers melts together and parts away is very smooth and beautiful.
There is a lot to disover and think about in this detailed choreography, a bit too much perhaps, but this debut is certainly very promising. After the interval there’s two short but intense choreographies, the first one being Sara. The dancers are dressed in skin coloured suits, hiding all body parts and making them totally equal and unrecognizable, almost taking away everything human about them. Movement, sound and lightning stand side by side creating a strong mysterious atmosphere. As a whole the dancers look like characterless creatures, but when they fold their arms around their bodies and playback on the electronic voice of the music they show emotions of loneliness. It is hard to describe this mysterious and unusual work, but it leaves a strong impression.
’s Midnight Raga is an interesting experiment with dance and music. The first part is set on traditional Indian music, but has nothing to do with Indian dance at all.
Instead the choreographer uses his own characteristic dance language with fast-paced shuddering movements. Despite the huge contrast, the combination seems right. His nervous choreography somehow matches the freaky quality of the music. They both have something mysterious and give you the nervous and exciting feeling of walking through India’s bustling city streets. But the experiment does not end here.
In the second part, the choreography has the exact same dance movements, but a different soundtrack: I’d rather go blind by Etta James. A different and less intense experience, but it doesn’t make the dance any less fascinating.
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